RECENT WRITING
“Will Rawls’s ‘[siccer],’” e-flux Criticism, 2025.
“Cindy Ji Hye Kim Retunes Us to the Land’s Rhythms,” Hyperallergic, 2025.
“Su Yu-Xin’s Metonyms for the Earth,” Hyperallergic, 2025.
“LA Artists Reclaim the Spotlight at Two Alternative Fairs,” Hyperallergic, 2025.
“The K-Pop Granny Pirate of the Pacific Rim,” Hyperallergic, 2025.
“What Does Depeche Mode Have to Do With Vietnamese Americans in California?,” Hyperallergic, 2025.
“How Did the Korean Feminist Movement Influence Art?,” Hyperallergic, 2024.
“The Political Was Personal for Yong Soon Min,” Hyperallergic, 2024.
“Lotus L. Kang’s ‘Azaleas,’” ArtAsiaPacific, 2024.
“A Group Show Bridges Asia and the West Coast,” Hyperallergic, 2024.
“Maia Ruth Lee’s Art of Movement and Memory,” Hyperallergic, 2024.
“The Critique-Profiteering Work of MSCHF,” Hyperallergic, 2024.
“SNAP Review: Scratching at the Moon at the Institute of Contemporary Art, Los Angeles,” Contemporary Art Review Los Angeles (Carla), 2024.
“Yong Soon Min, Intrepid Korean-American Artist, Dies at 70,” Hyperallergic, 2024.
“Interview with Elmer Guevara,” Contemporary Art Review Los Angeles (Carla), 2024, 40-47.
“Ludovic Nkoth’s Fleeting Feelings of Home,” Hyperallergic, 2023.
“Italians Are Mad at Their Country’s New Barbie Venus,” Hyperallergic, 2023.
“Gillian Wearing: Wearing Masks,” Woman’s Art Journal, 2023, 49-51.
“Sondra Perry: On the Limits and Possibilities of Access, Visibility, and Freedom,” CUNY Academic Works, 2022.
“Community: Field Study,” Assemblage Journal, 2021.
“The Artist’s Library: An Interview with Alina Yakirevitch,” Assemblage Journal, 2021.
“Art in the Age of Artificial Intelligence: Aesthetic Judgement After the Internet,” Boston University Core Journal, 2021, 126-136.
“Behind the Scenes with Sara Tucker, Director of IT, on Artist Web Projects: 25th Anniversary,” Dia Art Foundation, 2021.